Tuesday, April 7, 2009

Kal Kissne Dekha Movie Wallpaper


Vashu Bhagnani, a movie maverick, associated with No.1 stylized romantic comical hits (COOLIE No.1, HERO No.1 and BIWI No.1) turns ''big daddy'' with KAL KISSNE DEKHA, as he launches his son Jackky Bhagnani, along with Vaishali Desai, grand daughter of late Manmohan Desai, a phenomenal filmmaker (especially with Amitabh Bachchan) . His prolific musical record in the past speaks volume of his musical instincts and one expects the same as he launches his son in this mushy teenage love saga. Sajid-Wajid, an emerging musical team in the marquee is the work-force behind the musical show and expectations are high. Can Sajid-Wajid's music be able to laud a colorful musical show for these hi-profile star-kids? Let's watch out what's in store for the listeners as this ''futuristic'' sounding title film evokes loads of curiosity for us...

Sajid-Wajid plays safe by not experimenting with either funky tunes or upbeat rhythms and refurbishes some of Sonu Nigam's mesmerizing old melodies like ''Ab Mujhe Raat Din'' and ''Kuch Tum Socho'' (Album- Deewana (1999) into affable composition with modern orchestrations in ''easy-on-ears'' melody ''Aalam Guzarne Ko''. Sonu excels to create the same magic in his mellifluous flows with Suzy Q rendering out affirmative chorals to add sensuous touches to it. Despite some smoothening melodic feel, the soundtrack sounds outmoded and could have worked few years back but still it can be a listening treat for all Sonu's great fans .

CHECK OUT: KAL KISSNE DEKHA is an idea for a perfect debut

Sonu Nigam makes sparkling reappearance in the album with a fervently vibrant ''bhangra-beat'' culture with dash of hip-hop jives and electronica music in impressively loud ''Soniye Billori''. It has that peculiar Salman Khan's stylized fast-paced number appeal, where thunderously punched disco beat filler makes merry with loud ''dhol'' drumbeats to create furore on floors. It's two in a row for Sonu Nigam and Suzy Q and together they create ''dhamal'' on floors. Once again, the novelty factor is missing as composers play safe but deliver loads of amusement in its fervent melodic textures. The catchy punch-line ''Teri Meri Gal Ban Gayi'', entangled with enthralling disco-beat fillers makes it one special Punjabi fun loving track that can stay long on DJ's list.

The hysterical discotheque decorum is catapulted well with effective DJ spins and scratches work as it gets into perfect mold of entertaining party number in ''Soniye Billori (club mix)''. Go for it!

Modernization makes its first plunge into this lovey-dovey album with intrinsically sci-fi stylized sentimental music (similar to impressive ''Meelon Ka Faasla'' (LOVE STORY 2050) making the most remarkable dent in remarkably composed ''Aasman Jhuk Gaya''. Shaan's silken vocal rendition has shades of sobriety of romantic emotions that camouflages to perfection in intimidating-cum-serene sounding arrangements. Sajid-Wajid show inventiveness in orchestration with varied sounds, chorals and vocal modulations serenading out shades of emotions. Shreya Ghoshal's feminine affixation in slender tones adds to its tranquil-feel romanticism and makes Sameer's routine sounding lyrics special for melodic ears.












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